Select this license type when you are developing an app for iOS, Android, or Windows Phone, and you will be embedding the font file in your mobile application's code.
Cherry™
by Fenotype










- Aa Glyphs
-
Best ValueFamily Packages
- Individual Styles
- Tech Specs
- Licensing
Per style:
$5.62
Pack of 8 styles:
$45.00
Cherry Print Family
4 fontsPer style:
$8.75
Pack of 4 styles:
$35.00
Cherry Family
4 fontsPer style:
$8.75
Pack of 4 styles:
$35.00
About Cherry Font Family
Cherry is a bold and smooth display family with connecting script “Brush” and supporting thin marker caps “Sans”. In addition there is “Extras” which is a set of strokes and ornaments designed to go with the fonts. Cherry Print is the same set with rugged outlines and eroded print texture. Cherry Brush has clear and smooth letter shapes with lot’s of character. It’s great for Logo, Poster, Headlines, Packaging or any Display use. Cherry Brush is equipped with plenty of contextual alternates and ligatures that keep the connections smooth. This feature is set in Standard Ligatures and it’s on by default. Cherry Brush is designed so that you can also use it to writ ALL CAPS. For more flashy initials try Swash feature. Cherry Brush is PUA encoded so you can access extra characters in most graphic design softwares. Cherry Sans is an all caps thin marker font with two size of letters (uppercase & lowercase). Cherry Sans is clean and legible. It’s designed to work with Cherry Brush but works just fine on its own too.
Designers: Emil Karl Bertell
Publisher: Fenotype
Foundry: Fenotype
Design Owner: Fenotype
MyFonts debut: Feb 26, 2018
About Fenotype
Emil Bertell has done it all. Having published his first font files at 16, he was considered to be an international free-font hero while still in his teens. He went on to attend design college, drop out, and become a well-known graphic designer and illustrator. Now one of the most successful type designers from the Nordic countries on MyFonts, the Finland-based designer said in his Creative Characters interview that he’s “had an obsession with visual culture from the beginning.” Before turning his attention to type design full-time, Emil had a very successful career as an award-winning illustrator. “Illustration became my main livelihood,” he said. “I drew painstaking pencil illustrations for magazines, advertising, stamps, etc. I often designed my own fonts for festivals and hand-drew the lettering posters; I also did a few pencil illustrations based on lettershapes, and that got out of hand, so I had to do a lot more of them.” In 2012 he finally made the switch and committed all of his time to type design. Emil first saw success with his Billboard typeface. “It became my first Rising Star on MyFonts and made me realize that I could actually make a living by designing fonts,” he said. “I realized that there’s actually a market out there that I could become a part of.” Throughout the rest of that year he began to see even more success. It began in January, when his font, Mishka, was featured in our Most Popular Fonts of 2011 list. He went on to find a way to bookend the year and was listed among the Most Popular Fonts of 2012 with his Mercury Script design. Since then, his foundry’s success has continued on with best sellers like Voyage and The Carpenter. Fans of the foundry have a lot to look forward to in the near future. Emil will continue to produce beautiful scripts (some coming soon to MyFonts!) and has plans to expand his business.