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Corvinix

by Fontanatype
Individual Styles from $19.00 USD
The Corvinix Font Family was designed by Amondó Szegi and published by Fontanatype. Corvinix contains 1 styles. More about this family

About the family


Corvinix — Corrupted Blackletter Metal album covers. Tattoo flash sheets. Game title screens. Underground zines. Streetwear graphics. Horror movie posters. Dark fantasy book covers. Anywhere the medieval and the glitched share the same aesthetic DNA — Corvinix belongs there. It’s blackletter filtered through an 8-bit screen. Gothic textura broken into pixels, every stroke grid-locked, every curve reduced to deliberate steps. The result sits somewhere between a medieval manuscript and a corrupted ROM file — retro, raw, and oddly readable. The name nods to Matthias Corvinus, the Renaissance king whose library once held the finest illuminated codices in Europe — most of them lost, scattered, or burned before anyone could make a backup. Originally drawn in 2006, rebuilt in 2026. Twenty years of pixel decay, still standing. Corvinix supports Latin Extended character sets including Central and Northern European languages — Hungarian, Swedish, Polish, Czech and more.

Designers: Amondó Szegi

Foundry: Fontanatype

MyFonts debut: May 23, 2026

Corvinix

About Fontanatype

Fontanatype is an independent Hungarian type foundry founded in 1999 by Amondó Szegi and Gábor Kóthay — one of the first in Hungary to reach an international audience. Over 25 years, its typefaces have been distributed through T-26 (where several achieved bestseller status), P22/IHOF, and The Type Foundry, with a Canva license for Crave Neue. Led by Amondó — designer, typographer, and type design educator at MOME and other design schools in Budapest — the foundry's work ranges from historically informed text families to experimental display designs, always connecting craft with cultural intent. Fontanatype typefaces serve editorial design, brand identity, and cultural projects internationally. On MyFonts, the foundry appears under two labels: MONOVO for its contemporary releases, and Fontanatype for its broader catalogue — classics, experiments, and new work. The foundry's name and logo are no accident — a quiet nod to Duchamp, and to the idea that a letter, like any object, can be lifted from its context and made to mean something new.

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