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Home > Fonts > Emtype Foundry > Dixplay

Dixplay

Dixplay by Emtype Foundry
Individual Styles from $50.00
Complete family of 2 fonts: $85.00
Dixplay Font Poster 1 Dixplay Font Poster 2 Dixplay Font Poster 3 Dixplay Font Poster 4 Dixplay Font Poster 5 Dixplay Font Poster 6
Dixplay Font Family was designed by Eduardo Manso and published by Emtype Foundry. Dixplay contains 2 styles and family package options. More about this family

Dixplay Family

 2 fonts

Per Style: $42.50

Pack of 2 : $85.00

Buying Choices
Add to Album

Licensing Options

OpenType Features

  • Ligatures
  • Kerning
  • Fractions

About Dixplay Font Family

Dixplay, a typeface based on a pixel grid, is available in two weights: regular and black. Inspired by video game aesthetics of the 80s, was originally intended for display applications, but it works fine on paper as well. The font has been conceived in 20 px size allowing more freedom to manipulate it and making a big difference with other fonts of its kind, this difference it’s more evident in Dixplay Black. As a result, it’s optimized for screen use at 20 px and its multiples. Spacing is one of the most outstanding aspects of Dixplay. While pixel fonts doesn't have kerning pairs, Dixplay offers more than 300 manually done that fit perfectly to the grid. It is available in Open Type format and supports Western European Languages that uses the Latin alphabet. See the PDF.

Designers: Eduardo Manso

Publisher: Emtype Foundry

Foundry: Emtype Foundry

Design Owner: Emtype Foundry

MyFonts debut: Oct 14, 2003

Dixplay

About Emtype Foundry

Self-taught type designer Eduardo Manso is originally from Argentina but runs his one-man foundry, Emtype, in Barcelona, Spain. “My interest in type design grew gradually,” he said in his 2013 Creative Characters interview. “I think it is unavoidable, when you love fonts and use them in excess, that you eventually cross the line and become a type designer.” Each of Eduardo’s typefaces take a considerable amount of time to mature, and it shows: they are all thoughtful, original and well-wrought. “When you accept that designing a font is a long term activity,” he said, “it all becomes clear. It’s normal to spend several days drawing a ‘g’ or an ‘s,’ and it is also normal that three months later you no longer like it. So, we need time to design, time to leave it in a drawer, time to go back to it and finally time to redraw it over and over.” Several of his designs have been published through ITC, Bitstream, [T-26 ] and Linotype. Rather than responding to passing trends, Emtype publishes fonts that are aimed at enjoying a long shelf-life. One of his most popular typefaces, Geogrotesque, has been on the best sellers list since its 2008 debut. “Geogrotesque was born to answer my own question. I’m really proud of it because it’s simple but has a bit of personality, just enough to be original, but not so much as to be unusable.” An organizer of a major annual get-together for type designers, ATypI, Eduardo is committed to nourishing international typographic culture. “I think that in a globalized world it has become ever more difficult to speak of national identity in matters of design and typography,” he said. “The most important thing that a type designer has is their reputation, so it is better to wait and publish when you are absolutely sure about your typeface. It is the philosophy that I follow now and I believe.”