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Get Up

by Groen Studio
Individual Styles from $16.00 USD
Complete family of 80 fonts: $300.00 USD
The Get Up Font Family was designed by Roiyani Teungku and published by Groen Studio. Get Up contains 80 styles and family package options.

More about this family

Get Up Complete Family

80 fonts

Best Value!

Per Style:

$3.75 USD

Pack of 80 styles:

$300.00 USD

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About the family


Get Up is a slab serif the typeface which has a clean equilibrium that is familiar and unique. Get Up allows creators to use this typeface for a variety of purposes when creating sophisticated designs. It should be noted that Get Up is a typeface family that differs from other sans serif fonts and has a more expressive style since it is more tegas.

Get Up is a variation characterized by flexibility that looks cool in the glyph character section, Get Up has a slab serif font family including; Ultra Condensed (10 upright fonts); Extra Condensed (10 upright fonts); Condensed (10 upright fonts); Semi Condensed (10 upright fonts); Normal (10 upright fonts); Semi Expended (10 upright fonts); Expended (10 upright fonts); Extra Expended (10 upright fonts) So there are 80 font variations in total.

Get Up can decorate the pages of top fashion magazines and publications in print media or web pages. Get Up flows with a vintage charm that supports contemporary designs.

Get Up looks amazing in logos, magazines, and films. This font will be perfect for branding, headlines, captions, paragraphs, and posters. The various weights allow you to experiment with different applications. This font is made to make an impression without sacrificing its beauty and readability.

Designers: Roiyani Teungku

Publisher: Groen Studio

Foundry: Groen Studio

Design Owner: Groen Studio

MyFonts debut: Jun 13, 2025

Get Up

About Groen Studio

Typography is the craft of human language service with a long-lasting visual form, and thus has an independent existence. The pith is calligraphy - dance, on a small stage, hands that live and speak - and its roots reach the living ground, even though the branches can be hung every year with a new machine. As long as its roots live, typography remains a source of true pleasure, true knowledge, true surprise

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