Select this license type when you are developing an app for iOS, Android, or Windows Phone, and you will be embedding the font file in your mobile application's code.
Gymkhana
by Typodermic






About Gymkhana Font Family
Introducing Gymkhana, a clean and simple sans-serif typeface that brings a touch of architectural elegance to your design. Inspired by twentieth-century American lettering, Gymkhana is the perfect typeface for your next project.
Gymkhana’s clarity is immediately evident in its design. The typeface’s large x-height and generous width make it incredibly easy to read, even at small sizes. With its clear lines and easy-to-read characters, Gymkhana adds a feeling of solemn clarity and friendly professionalism to any message.
But Gymkhana isn’t just easy to read; it’s also versatile. With old-style numerals, tabular (monospaced) numerals, and old-style tabular numerals in OpenType-capable applications, you can customize the typeface to suit your needs.
Gymkhana comes in six weights and italics, so you can choose the perfect style for your project. Whether you’re designing a logo, a website, or a printed document, Gymkhana has you covered.
So why wait? Try Gymkhana today and experience the power of clear, clean typography in your design.
Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.
Designers: Ray Larabie
Publisher: Typodermic
Foundry: Typodermic
Design Owner: Typodermic
MyFonts debut: Sep 10, 2016
About Typodermic
Typodermic Fonts, founded in 2001 by prolific Canadian type designer Raymond Larabie, is a dynamic type foundry based in Nagoya, Japan. Known for its innovative and versatile font designs, Typodermic Fonts caters to professionals in graphic design, advertising, web design, and mobile app development.With an extensive library of over 500 typefaces, Typodermic Fonts offers a diverse range of styles, from futuristic to vintage and minimalist to ornate. As a pioneer in the digital type industry, the foundry has consistently been at the forefront of innovation, providing web fonts and mobile app licensing options early on.Since its inception, Typodermic Fonts' typefaces have been available through Monotype and MyFonts, making it a go-to resource for designers worldwide. With a mission to continually expand its library of unique fonts, Typodermic Fonts aims to inspire creativity and elevate design projects to new heights while representing a truly global perspective in the world of type design.
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