About Iranica Font Family
Iranica is a new creation of Naghi Naghashian. It is extremely legible even in very small size. "Iranica" is reminiscence to my birthplace and my cultural root.
Iranica is a modern Sans Serif font family. This innovation is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more
Iranica supports Arabic, Persian and Urdu.
The highest degree of calligraphic grace and the clarity of geometric typography. This typeface offers a fine balance between calligraphic tradition and the Roman aesthetic common in Latin typography.
It also includes proportional and tabular numerals for the supported languages.
Iranica design fulfills the following needs:
A. Explicitly crafted for use in electronic media fulfills the demands of electronic communication.
B. Suitability for multiple applications. Gives the widest potential acceptability.
C. Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Iranica's simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text.
D. An attractive typographic image. Iranica was developed for multiple languages and writing conventions. Iranica supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages.
E. The highest degree of calligraphic grace and the clarity of geometric typography. This typeface offers a fine balance between calligraphic tradition and the Roman aesthetic common in Latin typography.
About Naghi Naghachian
Naghi Naghashian was born in Teheran. After completing his school education in Iran, he studied illustration and book design at the Hochschule fuer Gestaltung (HfG), an academy of design, in Offenbach, Germany. Thereafter he was engaged as art director in various advertising agencies in Germany, Switzerland and England. He also worked as a freelance graphic designer with focus on illustration and brand designing for leading producers of brand articles in Europe, and also for broadcasting stations in Germany and other European countries. He was occupied with theoretical work in the field of color and research in the passive perception of color and after image phenomena. He carried out an analysis of the letters of the Arabic alphabet and a definition of their structure, enabling him to design a number of modern types of Arabic script. Naghi Naghashian created over twenty font families for Latin and Arabic characters. «Illustrated quatrains of Omar Khayyam» in four languages, English, French, German and Persian, «Geometrie als Mysterium» in German and «Design and structure of Arabic script» in English and German are his most recent publications.