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JP MultiColour

JP MultiColour

by jpFonts
Individual Styles from $29.90
Complete family of 25 fonts: $395.90
JP MultiColour Font Poster 1 JP MultiColour Font Poster 2 JP MultiColour Font Poster 3 JP MultiColour Font Poster 4 JP MultiColour Font Poster 5 JP MultiColour Font Poster 6 JP MultiColour Font Poster 7 JP MultiColour Font Poster 8 JP MultiColour Font Poster 9 JP MultiColour Font Poster 10 JP MultiColour Font Poster 11 JP MultiColour Font Poster 12
JP MultiColour Font Family was designed by Volker Schnebel and published by jpFonts. JP MultiColour contains 25 styles and family package options.

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JP MultiColour Complete Family

 25 fonts

Best Value!

Per style:

$15.83

Pack of 25 styles:

$395.90

Buying Choices
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JP MultiColor 25 Fonts

 24 fonts

Per style:

$16.49

Pack of 24 styles:

$395.90

Buying Choices
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JP MultiColour 03 3 Fonts

 3 fonts

Per style:

$19.96

Pack of 3 styles:

$59.90

Buying Choices

JP MultiColour 02 3 Fonts

 3 fonts

Per style:

$19.96

Pack of 3 styles:

$59.90

Buying Choices

JP MultiColour 01 3 Fonts

 3 fonts

Per style:

$19.96

Pack of 3 styles:

$59.90

Buying Choices
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About JP MultiColour Font Family

Multicolored Fonts

Many years ago, when Xerox Corporation still had its own font department, I came to Los Angeles in 1985 to train the IKARUS program. One day Bill Kienzel, head of the Xerox font department at the time, said we should go to the Hollywood Hills together; he knew people there who were experimenting with multicolored fonts. After a little wandering through the winding streets of the many hills, we reached a somewhat overgrown, simple family house standing under trees. A group of very inspired designers were waiting for us there. They immediately showed us the works they created using photomechanical tricks. They were fascinating. The American colors and the whole look seemed noble and enchanting. The problem was that this process was very difficult to implement and required a lot of effort on individual letters. They dreamed of a colored font that could be used for normal typesetting. We thought back and forth about how to save the individually colored letters in a common font, but soon gave up because we didn't see a technical option.

So this idea and the memory of the time in Hollywood lay dormant in the back of my mind for many years, until at the beginning of this year 2023 I received an order to produce an outline typeface and the story came back to me. Suddenly I knew how to solve the problem from back then: if only the areas that should have the same color in all letters were saved in their own separate fonts, they could be colored independently of each other and later placed on top of each other. I implemented this in the 5 fonts that are now available with the 3 variants “Outside”, “Middle” and “Inside”. Together with the background, 4 colors can be combined with each other.

This method works in text programs such as Word or InDesign. In Photoshop or Illustrator, the individual surfaces can also be colored by converting them into paths if the additional “Complete” variants (which contain all 3 contours) are used. There is also a “Basic” variant that can be used to achieve special effects such as overlay, bleed, etc.

The first 5 fonts in this series are all based on the principle of contouring. Anyone who claims that you don't need any special fonts because they can be created automatically from any font using common programs is wrong or is only telling only half the truth. Anyone who has ever dealt with this knows that many individual adjustments to the design are necessary after contouring. This has happened in the 5 fonts that are now available and have very different styles. The dream from back then has come true. The user can set any text, long or short, in multiple colors, freely design the color scheme and apply all the usual typographic settings.

Volker Schnebel, November 2023

Designers: Volker Schnebel

Publisher: jpFonts

Foundry: jpFonts

Design Owner: jpFonts

MyFonts debut: Dec 21, 2023

JP MultiColour

About jpFonts

Rosenfeld, Schnebel, Willrodt – they can't let go of the fonts. The congenial trio has been designing, developing, producing and distributing digital fonts together for around 40 years. All three have acquired their first spores from URW. Peter Karow, one of the founders of URW, developed the first version of the IKARUS Font Editor in 1975 and continuously expanded and refined it until 1995. URW is history, but jpFonts sets up where URW ended. Jürgen Willrodt is one of the world's leading experts in font technology and has played a major role in the development of the IKARUS system. In addition to his own Font Library, Volker Schnebel has designed countless corporate type projects and implemented them together with Peter Rosenfeld. Rosenfeld has worked very closely with Karow for over a decade and, in addition to setting up the URW Library, has led the worldwide distribution of fonts and software.jpFonts wants to work primarily customer-oriented, i.e. we want to offer optimal font support for customers, regularly release new and contemporary (Variable) fonts.

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