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King Bloser

by Misprinted Type
Licenses from $49.00 USD
Complete family of 10 fonts: $49.00 USD
The King Bloser Font Family was designed by Eduardo Recife and published by Misprinted Type. King Bloser contains 10 styles and family package options.

More about this family

King Bloser Family

10 fonts

Best Value!

  • King Bloser One

  • King Bloser One Bold

  • King Bloser Two

  • King Bloser Two Bold

  • King Bloser X

  • King Bloser X Bold

  • Bloser Serif

  • Bloser Serif Bold

  • Bloser Serif X

  • Bloser Serif X Bold

Per Style:

$4.90 USD

Pack of 10 styles:

$49.00 USD

About the family


King Bloser Is a calligraphic font family inspired by Masters of Penmanship. The name King Bloser is a homage to penman E.W. Bloser from the 18th century; While the typeface has nothing from Bloser’s work, he was one of the first penman I got to know and his work made me fall in love with the art of Penmanship. This typeface has strong italic characters, beautiful swashes, several Stylistic Alternates, Contextual Alternates, Ligatures and a broad variety of Lowercase Endings, as well as Lowercase Initials. (There is a PDF manual under the Gallery tab, explaining how to use them). Also, King Bloser comes with King Bloser X which is full of ornamental swashes that can make your designs custom and unique. If that was not all, King Bloser comes with a bonus typeface: Bloser Serif which looks lovely when combined with the Script font.

Designers: Eduardo Recife

Publisher: Misprinted Type

Foundry: Misprinted Type

Design Owner: Misprinted Type

MyFonts debut: Apr 16, 2014

King Bloser

About Misprinted Type

Founded in 1998, Misprinted Type is a typography foundry dedicated to the imperfect, the tactile, and the beautifully flawed. Our work lives where the organic meets the digital, where ink bleeds, edges roughen, and letters breathe. We create grunge, calligraphic, and experimental typefaces that carry a sense of craft and emotion, bringing the texture of human touch within a digital medium. At Misprinted Type, mistakes aren’t errors; they’re character. Aesthetics guide everything we do, but it’s the imperfections that make our fonts truly alive.

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