This is a listing of all glyphs contained in the
OpenType variants that may only be accessible via OpenType-aware
Each basic character (“A”) is followed by Unicode variants of the same
character (Á, Ä…), then OpenType variants (small caps, alternates,
ligatures…). This way you can see all the variations on a single
character in one place.
You can use this font in any of the following places. Read the full EULA text for details about each license. If
you have a usage in mind that's not covered by these licenses, contact us and we'll see what we can do.
Desktop: for use on a desktop workstation
For the most common uses, both personal and professional, for use in desktop applications with a font
Install the font on your Mac OS X or Windows system
Use the font within desktop applications such as Microsoft Word, Mac Pages, Adobe InDesign, Adobe
Create and print documents, as well as static images (.jpeg, .tiff, .png)
Desktop licenses are based on the number of users of the fonts. You can change the number of users by
clicking the quantity dropdown option on Buying Choices or Cart pages.
Please be sure to review the listing foundry's
Desktop license agreement
as some restrictions may apply—such as use in logos/trademarks, geographic restrictions (number of
locations), and products that will be sold.
Adding users later:
Desktop licenses are cumulative. If you require a Desktop license that covers additional users, simply
place a new order for the same Desktop package, for the number of additional users.
Webfonts can be used on a single domain. Agencies responsible for multiple websites, for example web
design agencies or hosting providers, may not share a single webfont license across multiple websites.
Every time the webpage using the webfont kit is loaded (i.e, the webfont kit CSS which holds the
@font-face rule is called) the counting system counts a single pageview for each webfont within the
For usage in graphic images shown on the website, consider a Desktop license instead as most allow for it.
MyFonts offers three types of webfont licenses: Annual, Pay Once, and Pay As You Go. Only one of these
three would be available for a given webfont. Click here to
You can use this type of license to embed fonts into digital ads, such as ads built using HTML5.
We'll supply a kit containing webfonts that can be used within digital ads, such as banner ads. This kit
may be shared with third parties who are working on your behalf to produce the ad creatives, however you
are wholly responsible for it.
HTML5 ads use webfonts, so why purchase a Digital Ads license rather than a Webfont license?
There are a few reasons, such as the Digital Ads EULA having terms that enable usage in digital ads and on
Digital advertisements also have different usage patterns compared to websites. Most websites generally
have consistent pageviews month-to-month whereas advertising impressions can vary wildly month-to-month.
Prices reflect this, making it much less expensive to use a Digital Ad license.
If you know the number of impressions the campaign requires, that amount can be ordered before the
campaign begins. For campaigns where number impressions is unknown until the end of the campaign, you can
true up at the end of each calendar month.
You can use an Electronic Doc license to embed the font in an electronic publication such as an eBook,
eMagazine, eNewspaper, or interactive PDF.
An Electronic Doc license is based on the number of publications in which the font is used. Each issue
counts as a separate publication. Regional or format variations don't count as separate publications.
Updated versions of publications that are free to previous customers do not need a new license; otherwise,
each new version that is released counts as a separate publication.
For font usage in graphic images shown as the ePub cover, consider a Desktop license instead as most allow
Inspired by Al Imelli, early 1900s. Ideal when an "old west" feel is desired.
Family includes 4 fonts: Fancy Full Round Reg, Fancy Full Round Bold, Fancy Full Spurs Reg, and Fancy Full Spurs Bold. Essentially giving you two weights with the option of spurs on the sides or sans-spurs.
LHF Fancy Full™
is a trademark of Letterhead Fonts.
About Letterhead Fonts
“A font is so much more than just beautiful letters,” Letterhead’s founder and president Chuck Davis says. “Those letters must work together harmoniously to add something to your design.”
“Letterhead Fonts began quite by accident,” Chuck says. Having worked as a sign painter for many years, he switched gears in 1998 and began working as a graphic designer for Boeing. “One day I noticed one of the employees cleaning out a storage room and throwing old software into a large trash bin. I couldn't help but notice one of the floppy disks said "FontMonger". Since I'd been interested in creating a font for some time, I rescued the disk from the trash and put it into my Mac in the office. The program was crude, but perfect for a novice user because of it's simplicity. I imported letters that I had drawn by hand and soon had created my first font: CD Esoteric. I had already started a website to offer ready-to-cut custom designs to the sign industry, but that wasn't going anywhere. So I proceeded to create 4 fonts and sold them on a subdomain of the site called "Letterhead Fonts" – the term "Letterhead" referring to a skilled sign craftsmen.”
Although they are headquartered in Reno, NV, the foundry collaborates with incredible designers from all over the world. “Over the years, I've had the good fortune to work with many talented artists and Letterhead Fonts wouldn't be what it is today without their help.” Sign artist John Studden was one of the first designers to join Chuck’s foundry: he’s been on board ever since and has had a hand in creating most of the fonts on the website. “Our own Dave Correll is also a very talented designer. I think he's one of the best font designers in the world today. He gives very special attention to balancing the letters with each other and spacing them carefully.” Letterhead Fonts has also collaborated with designers like Arthur Vanson and Charles Borges de Oliveira. “Each of our contributors bring something unique to Letterhead Fonts. But we all share a common goal: to make beautiful fonts that serve a purpose.”
Chuck has outlined 3 basic criteria for determining if a font will be sold through Letterhead Fonts: (1) It must be useful and serve a purpose. (2) It must be of good quality. No bad points or twisted paths. Curves must be smooth and drawn correctly. Letters must be balanced and work well together. (3) It must be unique. It must be something that hasn't been done before, or at least not as well.