This is a listing of all glyphs contained in the
OpenType variants that may only be accessible via OpenType-aware
Each basic character (“A”) is followed by Unicode variants of the same
character (Á, Ä…), then OpenType variants (small caps, alternates,
ligatures…). This way you can see all the variations on a single
character in one place.
You can use this font in any of the following places. Read the full EULA text for details about each license. If
you have a usage in mind that's not covered by these licenses, contact us and we'll see what we can do.
Desktop: for use on a desktop workstation
For the most common uses, both personal and professional, for use in desktop applications with a font
Install the font on your Mac OS X or Windows system
Use the font within desktop applications such as Microsoft Word, Mac Pages, Adobe InDesign, Adobe
Create and print documents, as well as static images (.jpeg, .tiff, .png)
Desktop licenses are based on the number of users of the fonts. You can change the number of users by
clicking the quantity dropdown option on Buying Choices or Cart pages.
Please be sure to review the listing foundry's
Desktop license agreement
as some restrictions may apply—such as use in logos/trademarks, geographic restrictions (number of
locations), and products that will be sold.
Adding users later:
Desktop licenses are cumulative. If you require a Desktop license that covers additional users, simply
place a new order for the same Desktop package, for the number of additional users.
Webfonts can be used on a single domain. Agencies responsible for multiple websites, for example web
design agencies or hosting providers, may not share a single webfont license across multiple websites.
Every time the webpage using the webfont kit is loaded (i.e, the webfont kit CSS which holds the
@font-face rule is called) the counting system counts a single pageview for each webfont within the
For usage in graphic images shown on the website, consider a Desktop license instead as most allow for it.
MyFonts offers three types of webfont licenses: Annual, Pay Once, and Pay As You Go. Only one of these
three would be available for a given webfont. Click here to
You can use this type of license to embed fonts into digital ads, such as ads built using HTML5.
We'll supply a kit containing webfonts that can be used within digital ads, such as banner ads. This kit
may be shared with third parties who are working on your behalf to produce the ad creatives, however you
are wholly responsible for it.
HTML5 ads use webfonts, so why purchase a Digital Ads license rather than a Webfont license?
There are a few reasons, such as the Digital Ads EULA having terms that enable usage in digital ads and on
Digital advertisements also have different usage patterns compared to websites. Most websites generally
have consistent pageviews month-to-month whereas advertising impressions can vary wildly month-to-month.
Prices reflect this, making it much less expensive to use a Digital Ad license.
If you know the number of impressions the campaign requires, that amount can be ordered before the
campaign begins. For campaigns where number impressions is unknown until the end of the campaign, you can
true up at the end of each calendar month.
You can use an Electronic Doc license to embed the font in an electronic publication such as an eBook,
eMagazine, eNewspaper, or interactive PDF.
An Electronic Doc license is based on the number of publications in which the font is used. Each issue
counts as a separate publication. Regional or format variations don't count as separate publications.
Updated versions of publications that are free to previous customers do not need a new license; otherwise,
each new version that is released counts as a separate publication.
For font usage in graphic images shown as the ePub cover, consider a Desktop license instead as most allow
Malden Sans is a mischievous grotesque sans serif with charming details that gives designers a solid typographic voice. It was created by Michele Patanè with regular and condensed widths, as a utilitarian typeface family for print and digital environments.
It was originally designed as part of a type system for cinema magazines, and embodies the devil-may care attitude of the silver screen. Designer Michele Patanè looked back to an earlier era of typography to create the typeface, embracing unusual details, rather than ironing them out.
“There is a very naive way of using typography in the 30s and 40s, something not as clean as how it’s used in the late 50s and 60s when everything passed through a rationalisation of the typographic palette,” he explains. “In film magazines you can still see a bit of roughness, and I like that.”
This is a design that’s desperate to be used in editorial environments, and has been created to stand up to lower quality paper. It would be equally at home on posters, packaging, and even in digital environments where designers are looking for something more expressive than another geometric sans serif.
Malden Sans includes a Normal and Condensed range, with 7 weights in the normal and 6 in the Condensed, both including italics.
is a trademark of Monotype Imaging Inc. and may be registered in certain jurisdictions.
The Monotype Library is one of the world’s largest and most comprehensive collection of typefaces, featuring original designs of historical importance and a fresh range of contemporary and fashionable fonts. The Monotype Library includes thousands of timeless classics, hand-crafted revivals and original designs from many of the most innovative type designers and foundries in history. This distinctive, award-winning library of premium fonts provides brands and designers with a broad and reliable selection of typefaces for expressive typography in print and on screen.
The Premium foundry page can be viewed Here.