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About Matwin Font Family
The idea behind designing ‘Matwin’ font was related to the youngest children of the designer namely the M-A fraternal twin. The name of the typeface (i.e., Matwin or M-A-Twin) was composed by merging three linguistic small syllables. The ‘-Twin’ syllable refers to the non-identical twin of the designer. The ‘M-’ and ‘A-’ syllables refer to the initial letters of the twin’s first names (i.e., Muhammad and Abdul-Wli) respectively. The typeface ‘Matwin’ has a personal trait which makes it as one of the most favorite fonts for the designer among his humble collection of fonts. Modestly, it is the designer’s handwriting and it has been designed to be added to the script font family known as brush un-joined. The brief process for having this typeface alive was done by firstly scanning the real script for each Latin letter, digit, symbol which were handwritten earlier by the designer himself. Then, the combination of these many scanned characters was manipulated using digital programs to produce at the end the complete typeface. The typeface has the essential glyphs comprising the character set required for most of the Latin, Western, and Eastern European languages including the Irish language. It combines +605 characters and this makes it as a pro font. It also entitles it to be applicable for usage in many languages of different communities and nations worldwide. ‘Matwin’ is dedicated for those who search for a genuine handwriting typeface with a natural touch and informal style to be added on their different published and produced products and services. It is more preferable when it is used in artistic, typographic, and other works using the lowercase letters or by mixing both upper- and lower-case letters. Moreover, the typeface is appropriate for any type of typographic and graphic designs in web, print, and other media such as boards and walls. It is also preferable to be used in the wide fields related to publications especially children-related ones, comics, printed or handwritten menus of cafeterias and restaurants at universities and public places, as well as other prints related to services and production industries. It also can create a very personal and friendly impact when used in headlines, books and novels’ covers, posters, titles, messages, envelopes addresses, grocery lists, postcards, ads, fliers, journals, paper arts, public notices, invitations, scrapbooks, notations, products’ surfaces for organic foods and juices, logos, medical packages related to children, Android applications, as well as products and corporates branding and the like. In a nutshell, ‘Matwin’ typeface fits without a glitch those (i.e., designers, typographers, publishers, artists, packagers, service providers, and so on) who have drastic and strong tendency towards imprinting their works with spontaneous and outlandish touches made by this typeface. Please, enjoy it extremely.
Designers: Eyad Al-Samman
Publisher: Eyad Al-Samman
Foundry: Eyad Al-Samman
Design Owner: Eyad Al-Samman
MyFonts debut: Sep 24, 2016
About Eyad Al-Samman
Eyad Al-Samman is a Yemeni author, lecturer, typographer, and freelance graphic designer. He was born in Sana'a, the capital city of Yemen, and still lives there. Eyad has a bachelor degree in electrical and computer engineering and a master's degree in business administration. He works as an assistant lecturer in local Yemeni universities and community colleges. He teaches there managerial and other subjects in English language. Eyad has started working as a graphic designer since 1999 and discovered the magic world of typography in the mid-2000s. His first designed typeface was Loyolliams which he designed in the late of 2005. His fonts are mostly used in typesetting and publishing of different texts including Arabic, Persian, Urdu, Kurdish, Latin, Cyrillic, and other texts. One of his composed pangrams is (waxy gents chalked over my fab jazzy quip) which contains 34 letters.
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