About MaZing Font Family
MaZing is a font that makes customized pairing between glyphs incredibly simple. With the flourishes of certain glyphs extending out, and other glyphs kerned into them, you can mix and match a variety of vowels and consonants simply by toggling between the upper and lower case versions of letters. The vowels, plus the letter y, contain both regular and nested versions, while most of the consonants contain both regular as well as swashed versions. Try playing around with some sample text and see for yourself - No special keyboard functions required!
Mazing has a glyph count of 388 and supports the following languages
Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Ido, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Māori, Mauritian Creole, Meru, North Ndebele, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Rejang, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Sundanese, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkmen, Upper Sorbian, Vunjo, Walloon, Walser, Wolastoqey, Xhosa, Zulu
MaZing
About MKGD
My name is Michael Kovacevich and I run MKGD Font Foundry. I’ve been a professional graphic designer for the better part of three decades. I’ve freelanced, worked in various studios, and in the art departments of garment industries. During that time I, like most designers, have dealt with type on a daily basis. I’ve set, kerned, tracked, bastardized and hand lettered type of all kinds over those many years. These days however, I’ve decided to bring my experience to bear on the designing of typefaces. I like to think of it as distilling my years of experience into something that anyone with a creative interest could utilize. During the course of my efforts, I hope people will find my work as interesting for them to use, as it is for me to produce.
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