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Mysteron

by Paulo Goode
Individual Styles from $30.00 USD
Complete family of 48 fonts: $240.00 USD
The Mysteron Font Family was designed by Paulo Goode and published by Paulo Goode. Mysteron contains 48 styles and family package options.

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About the family


Mysteron is a futuristic modular typeface that has been specifically designed for branding and titling purposes. Its construction conforms to a grid* with many repeating forms. This rigidity evokes an aura of advanced technology and futurism that would be perfect for your next sci-fi book cover, film title, hi-tech branding project and so on. Mysteron takes its name from a fictional martian race from the 1960s sci-fi series Captain Scarlet and the Mysterons. The Mysterons appear in the episodes as disembodied voices and green rings of light. With that in mind, I felt it would be fun to offer perfectly rounded alternates that break the rigid grid format for appropriate glyphs. These can offer a nice contrast in logotype or titles when used subtly. They are accessible by activating Stylistic Set 1. Mysteron is a family of 48 fonts across three styles – Solid, Stencil, and Notched – in both roman and italic. These distinctive fonts should be used at large sizes, making them perfect for use in your headlines, signage, logotype, titles, and branding designs. Mysteron has a character set that covers all Latin European languages and includes old style figures, fractions, along with superior and inferior figures. *Optical adjustments have been made along the way to maximise legibility.

Designers: Paulo Goode

Publisher: Paulo Goode

Foundry: Paulo Goode

Design Owner: Paulo Goode

MyFonts debut: Nov 27, 2025

Mysteron

About Paulo Goode

As a child I was fascinated by the multitude of letterforms that surround us, I would spend hours drawing words (and cars) in my sketchbooks. I don’t know what happened to those sketches, but I certainly never made it as an automobile designer! Maybe there’s a chance my fonts will prove more successful? As I grew up, I developed my artistic skills and became a technical illustrator and moved into graphic design with the advent of the Macintosh computer. At the age of 45 I rekindled my interest in typeface design and am thoroughly enjoying the process of font creation and producing some interesting typefaces of distinction. I'm still fascinated by the multitude of letterforms that surround us — and am very happy to be contributing my own.The Premium foundry page can be viewed Here.

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