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Odisean

by deFharo
Individual Styles from $24.00 USD
Complete family of 3 fonts: $63.00 USD
The Odisean Font Family was designed by Fernando Haro and published by deFharo. Odisean contains 3 styles and family package options. More about this family

Odisean Complete Family

3 fonts

Best Value!

Per Style:

$21.00 USD

Pack of 3 styles:

$63.00 USD

Per Style:

$22.00 USD

Pack of 2 styles:

$44.00 USD

About the family


Odisean Fonts and its 3 styles (One, Tech & Small Caps) are ideal for graphic design, editorial, logos and posters. Its rounded finish and marked contrast between antlers evoke the charm of bygone eras. In addition, it has a collection of retro icons accessible through OpenType: Small Caps.

Letter proportions are multiples of 8, ensuring exceptional visual harmony, while metrics and kerning use values multiples of 8 for impeccable legibility and aesthetics. Discover Odisean and revive retro nostalgia in your designs.

Each Odisean variant comes loaded with a set of alternative letters that allow you to customize and adapt each project to your liking. In addition, you will be able to access an exclusive collection of retro icons through the OpenType feature: Small Caps, adding even more versatility and charm to your creations.

- Odisean One will transport you to a bygone era with its retro charm, offering you alternative lyrics that evoke the aesthetic of the golden and happy years.

- Odisean Tech for those who love technology and innovation, the font is full of graphic elements and retro transportation icons, which will immerse you in a futuristic world of the past.

- Odisean Small Caps bring elegance and versatility to your designs with their small capital letters.

Designers: Fernando Haro

Foundry: deFharo

MyFonts debut: Nov 30, 2023

Odisean

About deFharo

deFharo is the independent type foundry of Spanish graphic and type designer Fernando Haro. With more than 30 years of experience in graphic and advertising design and over a decade devoted to typeface design, Fernando Haro has developed an eclectic body of work that ranges from editorial and corporate typefaces to expressive display, geometric, technological, retro and experimental designs. His approach combines visual character with typographic functionality. Every typeface begins with drawing, proportion and a clear visual idea, and evolves through meticulous work on spacing, metrics, kerning, optical corrections and OpenType features. Rather than following a single recognizable style, deFharo explores different typographic territories according to the personality and purpose of each project. Some families are designed for long-form reading and editorial systems; others are built for branding, headlines, packaging, signage or highly expressive graphic compositions. A strong interest in vector drawing, typographic systems and functional design runs throughout the collection. Alternative characters, small caps, Petite Caps, fractions, numerals, ligatures, symbols and extended language support are frequently developed as integral parts of the typeface rather than as afterthoughts. The result is a growing collection of typefaces designed to be both distinctive and useful — fonts with personality, but also with the technical precision required for professional graphic and editorial work. deFharo typefaces are designed by Fernando Haro and published independently from Spain.

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