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Panamericana by Andinistas
Individual Styles from $19.95
Complete family of 10 fonts: $89.95
Panamericana Font Family was designed by Carlos Fabián Camargo Guerrero and published by Andinistas. Panamericana contains 10 styles and family package options. More about this family

About Panamericana Font Family

@andinistas presents an update of Panamericana in 2019, a typographic family worn out and expressive with 10 fonts perfect for short writings with cursive and stained calligraphic look. Panamericana works perfectly in headlines or logos of a film because its different thicknesses of corrosion and textures guarantee striking messages on t-shirts, stickers, skateboards, magazines, printed quotes, packaging, headings and all the designs you can imagine. Panamericana works best by exchanging and mixing letter by letter among its 10 fonts. In this way, you will take advantage of its corrosion levels by mixing the 3 uppercase, lowercase and ideal calipers for the beginning, middle or end of words, phrases or short paragraphs. Each empty and full Panamerican area was designed with care, care and attention and that is why its more than 2000 glyphs were carefully planned in 10 fonts designed for maximum performance in compositions that need scruffy and creative visual properties.

Designers: Carlos Fabián Camargo Guerrero

Publisher: Andinistas

Foundry: Andinistas

Design Owner: Andinistas

MyFonts debut: May 16, 2007


About Andinistas

The word “Andinistas” roughly translates to “people devoted to the Andes.” In Venezuela, it is the word used to describe the people who climb the slopes of Pico Bolívar, the country’s highest mountain. “We found it an interesting name because of its resonance and relationship with the unknown,” Andinistas’ founder Carlos Fabián Camargo Guerrero said in his Creative Characters interview. One of the first designers from Colombia or Venezuela to be able to make it as a full-time type designer, Carlos’ experience of living in both places has allowed him to tap into their colorful visual cultures and bring aspects of each of them into his designs. “I am proud of both countries — they have been an inexhaustible source of ideas to me.” He joined MyFonts in 2006, and since then, his designs have graduated from a streetwise, sassy grunge style into a series of energetic and personable scripts and display fonts. Of his professional style evolution he says, “In typeface design we can never say we have learned enough, because when looking at old classics we realize that what we need to learn is inexhaustible. We never get anything definitively.” “Today I feel that the word Andinistas also has a valuable meaning for me personally. It’s taken long years of experience before I slowly received some recognition for my foundry, and it’s required profound conviction and the will to surpass oneself. So the word combined concepts like spectacular beauty and adventure with the idea of overcoming challenges and getting to the top with work and creative effort.”