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Home > Fonts > K-Type > Pop Cubism

Pop Cubism

Pop Cubism by K-Type
Individual Styles from $20.00
Complete family of 6 fonts: $20.00
Pop Cubism Font Family was designed by Keith Bates and published by K-Type. Pop Cubism contains 1 styles and family package options. More about this family
  • Pop Cubism Color Underlay Pop Cubism Color Underlay

  • Pop Cubism Halftone Underlay Pop Cubism Halftone Underlay

  • Pop Cubism Outline Pop Cubism Outline

  • Pop Cubism Halftone Underlay Pop Cubism Halftone Underlay

  • Pop Cubism Color Underlay Pop Cubism Color Underlay

  • Pop Cubism Outline Pop Cubism Outline

Per Style: $3.33

Pack of 6 : $20.00

About Pop Cubism Font Family

The Pop Cubism fonts are inspired by Roy Lichtenstein who combined the strong outlines and benday dots of Pop Art with the fragmented viewpoints and facet line divisions of Cubism. The bold letterforms are derived from a variety of styles, both serif and sans, angular and rounded.

Pop Cubism is available in two packages: Pop Cubism Shaded is a single font which contains the lines and dot tones for use in a single color. The Pop Cubism Color Kit contains three matching fonts (Pop Cubism Outline, Pop Cubism Halftone Underlay and Pop Cubism Color Underlay) for overlaying different colors of lines, dot tones, and background color.

Designers: Keith Bates

Publisher: K-Type

Foundry: K-Type

Original Foundry: unknown

Design Owner: K-Type

MyFonts debut: Nov 5, 2010

Pop Cubism

About K-Type

K-Type is a small, independent type foundry based in Manchester England, offering a unique range of high quality ‘free for personal use’ fonts, and pay fonts which are modestly and simply priced for designers, small businesses and large organizations. K-Type is the foundry of designer and mail artist, Keith Bates. Many K-Type fonts show the influence of inspirational artists and designers, and are often imbued with a playful wit and the genuine affection of honorable homage. Other K-Type fonts explore the quirky eclecticism of the British typographical landscape and the considerable allure of American letterforms. The resulting faces are reliable and eminently usable. Most feature a good complement of accented characters, and increasingly offer a selection of weights and italics.