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Rahila Arabic

by Afkari Studio
Individual Styles from $19.00 USD
The Rahila Arabic Font Family was designed by Musthafa Kamal Emje and published by Afkari Studio. Rahila Arabic contains 1 styles. More about this family

About the family


An elegant Arabic-style typeface inspired by traditional calligraphy and cultural beauty. Rahila Arabic is an elegant Arabic-style typeface inspired by the beauty and character of traditional Arabic calligraphy. Designed with expressive letterforms and cultural depth, this font brings a strong Middle Eastern identity while remaining versatile for modern design applications. Rahila Arabic blends decorative Arabic aesthetics with a contemporary typographic structure, making it suitable for both classic and modern compositions. Its distinctive shapes add character, rhythm, and authenticity—perfect for designs that require cultural presence and visual impact. This typeface is ideal for creatives who want typography that feels cultural, elegant, and expressive. Features; - Uppercase, Lowercase, Number, and Punctuation - Special Alternates and ligatures - Works on PC & Mac, Simple installations - Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word - PUA Encoded Characters – Fully accessible without additional design software. - Mültîlíñgúãl Sùppört for; ä ö ü Ä Ö Ü ß ¿ ¡ Add cultural elegance and expressive beauty to your designs with Rahila Arabic – An Arabic Style Typeface Font, crafted for meaningful and visually rich typography.

Designers: Musthafa Kamal Emje

Foundry: Afkari Studio

MyFonts debut: Jan 29, 2026

Rahila Arabic

About Afkari Studio

Afkari Studio is An foundry based in Aceh, We Discover Unique Typefaces Made with Love for Unlimited projects Just For You. Afkari Studio has been trying to create unique, attractive fonts that can be used for all kinds of needs that prioritize aesthetics and look different from others. We always create unique fonts because we believe that a unique font will have its own taste for its users.

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