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Riga Screen

Riga Screen

by Ludwig Type
Individual Styles from $45.00 USD
Complete family of 4 fonts: $115.00 USD
Riga Screen Font Family was designed by Ludwig Übele and published by Ludwig Type. Riga Screen contains 4 styles and family package options.

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About Riga Screen Font Family


Riga Screen is designed to work particularly well on screen. Especially responsive websites or office applications will appreciate its economic proportions. Riga has been specially engineered and optimized for exceptional readability in small sizes on all current computer monitors, including tablets and smartphones. This small family of four weights is the perfect companion for the Riga type family.

Designers: Ludwig Übele

Publisher: Ludwig Type

Foundry: Ludwig Type

Design Owner: Ludwig Type

MyFonts debut: Jun 28, 2014

Riga Screen

About Ludwig Type

“It always begins with an idea,” Ludwig Übele said in his Creative Characters interview. Ludwig has made a name for himself designing text families that are known for being quietly unorthodox: sophisticated in detail yet incredibly readable even in small sizes. For this designer, typography means being able to see both the forest and the trees; serving the content while still providing it with a unique and distinct voice. “I’ve always felt that type offers more substance because it is such an integral part of our culture, with a history that goes back thousands of years,” he said. “And although letters are everywhere and everyone is constantly using them, only very few people are consciously concerned with the forms of the letters themselves.” “I am simply trying to design new, lively and readable letters.” And he has done just that with a library that successfully combines serious text families such as Marat and Augustin with playful fonts like Daisy, a recipient of the TDC2 award. Of his affinity for designing text fonts he says, “I often find so-called text faces more interesting because they are designed for immersive reading and need to work well in small sizes. I’m interested in how to make a font as a whole – not so much the individual letters – and how to create a specific text image that is both interesting and enjoyable to read.” He doesn’t just make retail fonts, but also does commissioned work, mostly with lettering, logos and custom-made fonts. “I just hope to create typefaces that have a certain relevance to type design in general,” he says of his design philosophy, “types that inspire other type designers.”

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