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Home > Fonts > Andinistas > Stevia

Stevia

Stevia by Andinistas
Individual Styles from $27.00
Complete family of 5 fonts: $76.00
Stevia Font Family was designed by Carlos Fabián Camargo Guerrero and published by Andinistas. Stevia contains 5 styles and family package options. More about this family

About Stevia Font Family


Stevia is a font family designed by Carlos Fabian Camargo Guerrero. Stevia is a sweet font family created to design logos, cards, posters, book covers, blogs, packaging, walls, etc. Stevia is useful to differentiate your designs and stimulate your imagination through 5 fonts drawn with an apparent handmade lettering look. Stevia dingbats has more than 250 special monolineal icons to accompany Stevia Script Black (600 glyphs), Stevia Script Light (470 glyphs), Stevia Subtitles Bold (300 glyphs) and Stevia Subtitles Light (300 glyphs) in quotes, legends and short writings. That’s why you'll get a lot of alternative letters in uppercase, lowercase and opentype numbers as well as ligatures and flourishes ideal for beginning, middle and end of word. In summary Stevia is great for communicating naturalness and freshness in designs that need to be outside conventional typographic norms.

Designers: Carlos Fabián Camargo Guerrero

Publisher: Andinistas

Foundry: Andinistas

Design Owner: Andinistas

MyFonts debut: Apr 7, 2018

Stevia

About Andinistas

The word “Andinistas” roughly translates to “people devoted to the Andes.” In Venezuela, it is the word used to describe the people who climb the slopes of Pico Bolívar, the country’s highest mountain. “We found it an interesting name because of its resonance and relationship with the unknown,” Andinistas’ founder Carlos Fabián Camargo Guerrero said in his Creative Characters interview. One of the first designers from Colombia or Venezuela to be able to make it as a full-time type designer, Carlos’ experience of living in both places has allowed him to tap into their colorful visual cultures and bring aspects of each of them into his designs. “I am proud of both countries — they have been an inexhaustible source of ideas to me.” He joined MyFonts in 2006, and since then, his designs have graduated from a streetwise, sassy grunge style into a series of energetic and personable scripts and display fonts. Of his professional style evolution he says, “In typeface design we can never say we have learned enough, because when looking at old classics we realize that what we need to learn is inexhaustible. We never get anything definitively.” “Today I feel that the word Andinistas also has a valuable meaning for me personally. It’s taken long years of experience before I slowly received some recognition for my foundry, and it’s required profound conviction and the will to surpass oneself. So the word combined concepts like spectacular beauty and adventure with the idea of overcoming challenges and getting to the top with work and creative effort.”