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by Scholtz Fonts
Individual Styles from $15.00
Complete family of 6 fonts: $67.00
Thystle Font Family was designed by Anton Scholtz and published by Scholtz Fonts. Thystle contains 6 styles and family package options.

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About Thystle Font Family

Thystle is a "font for all seasons". It has six styles ranging from fine to in-your-face, from delicate mono-weight pen strokes to fully calligraphic lines, from delicate, narrow characters to bold, powerful statements. Characteristically, all the styles abound with Anton Scholtz's energetic "creative common" style - extravagant capitals, clear characters, and bursting-with-life swashes. Three Thystle styles are calligraphic. You can use: - Regular for invitations, poems, greeting cards and body text - Black for swing tags, music media, menus and sub-headings - Fat for posters, book covers and headings Three Thystle styles are monolinear. You can use: - Mono1, which is both delicate and condensed in width, for invitations, poems, greeting cards and body text - Mono2, which is of medium weight and condensed in width, for swing tags, music media, menus and sub-headings - Mono3, which is heavier and of standard width, for posters, book covers and headings. Opentype features include alternative upper case characters, as well as a number of ligatures. (These can be used in applications that access OpenType features.) Thystle contains over 283 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters for both Text and Display caps). It has all the accented characters used in the major European languages.

Designers: Anton Scholtz

Publisher: Scholtz Fonts

Foundry: Scholtz Fonts

Design Owner: Scholtz Fonts

MyFonts debut: May 3, 2010


About Scholtz Fonts

Scholtz Fonts, started by Anton Scholtz in 1997, specializes in "African flavor" fonts. The foundry is based in Durban, South Africa, where the Zulu culture of the region has greatly influenced Anton's font design. In his profession as a graphic designer, he became aware of how few available fonts were suitable for African inspired design. He began to create his own fonts to enhance the work produced by his design company, and this branch of his design work has grown steadily in recent years.

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