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Individual Styles from $19.00 USD $13.30 USD
30% Off
Complete family of 98 fonts: $99.00 USD $69.30 USD
The Tipo Pèpel Font Family and published by . Tipo Pèpel contains 1177 styles and family package options. More about this family

Slabdon Complete Family

 98 fonts

Best Value!

Per Style:

$1.01 USD $0.71 USD

Pack of 98 styles:

$99.00 USD $69.30 USD

Buying Choices
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Tady Complete Family

 86 fonts

Per Style:

$1.61 USD

Pack of 86 styles:

$139.00 USD

Buying Choices
See 76 more See less

Werdet Script Full Family

 5 fonts

Per Style:

$12.40 USD

Pack of 5 styles:

$62.00 USD

Buying Choices

Trajana Sans Family

 4 fonts

Per Style:

$18.00 USD

Pack of 4 styles:

$72.00 USD

Buying Choices

Trepa Full Family

 3 fonts

Per Style:

$15.66 USD

Pack of 3 styles:

$47.00 USD

Buying Choices
Add to Album
Add to Favorites

Licensing Options

About the family

Located in a small town, Les Borges Blanques, Spain, Tipo Pèpel is a digital type foundry run by Josep Patau. The self-taught designer began producing experimental typefaces in 1996 and started selling them through MyFonts in 2011. His debut font, Anduaga, was a revival from Joseph de Anduaga y Garimberti, the XVII´s famous spanish calligrapher. Since then, his library had expanded to include nearly two dozen font families, each of which is unique and reflects the small country town he comes from with a familiar rural feel. Some of Josep’s best selling typefaces, including Pobla, Bridone, and Cinta, really demonstrate the impact his home has on his designs, while Boxed, a semi-modular geometric font, is a step outside of this theme. “All of my projects excite me and I put my best into each of them, doing everything with my own two hands,” Josep says. “I treat them all like my children.” With a focus on the details and creating high quality drawings, each of his fonts offers an extended character map that is fully capable with OpenType features. He also diligently insures that each of his typefaces is legible in all sizes. “I think that this is one of my goals because I always begin my designs by thinking about the final use if the font,” he says. “I worry about this a lot, so I do thousands of tests before launching the final font to ensure high quality standards and full satisfaction for final users.”