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Home > Fonts > K-Type > Toppler

Toppler

Toppler by K-Type
Licenses from $20.00
Complete family of 8 fonts: $20.00
Toppler Font Family was published by K-Type. Toppler contains 8 styles and family package options. More about this family

Toppler

8 fonts
  • Toppler Outline Thick Toppler Outline Thick

  • Toppler Outline Thin Toppler Outline Thin

  • Toppler Toppler

  • Toppler Outline Thin Toppler Outline Thin

  • Toppler Popdots Toppler Popdots

  • Toppler Toppler

  • Toppler Popdots Toppler Popdots

  • Toppler Outline Thick Toppler Outline Thick

Per Style: $2.50

Pack of 8 : $20.00

About Toppler Font Family


TOPPLER is a top-heavy comic font, K-Type’s salute to nineties freebies such as Ben Balvanz’s Baby Kruffy, Comix Heavy from WSI, and Dave Bastian’s Startling. Unlike those glorious fonts-of-old, Toppler contains a complete repertoire of symbols, dingbats and Latin Extended-A accented characters, as well as a proper lowercase, careful spacing and tasty kerning. Toppler also boasts cleaner outlines and more refined shapes. The Toppler family comprises four fonts that share spacing and kerning, so can be overlapped to produce bicolor and multicolor effects. In addition to the regular, solid style of Toppler, there is a shaded ‘Popdots’ style, plus thick and thin outline fonts.

Publisher: K-Type

Foundry: K-Type

Design Owner: K-Type

MyFonts debut: Nov 14, 2018

Toppler

About K-Type

K-Type is a small, independent type foundry based in Manchester England, offering a unique range of high quality ‘free for personal use’ fonts, and pay fonts which are modestly and simply priced for designers, small businesses and large organizations. K-Type is the foundry of designer and mail artist, Keith Bates. Many K-Type fonts show the influence of inspirational artists and designers, and are often imbued with a playful wit and the genuine affection of honorable homage. Other K-Type fonts explore the quirky eclecticism of the British typographical landscape and the considerable allure of American letterforms. The resulting faces are reliable and eminently usable. Most feature a good complement of accented characters, and increasingly offer a selection of weights and italics.