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Dymaxion Core Mono

by Typeseth Studio
Individual Styles from $60.00 USD
Complete family of 4 fonts: $200.00 USD
The Dymaxion Core Mono Font Family was designed by Seth Haller and published by Typeseth Studio. Dymaxion Core Mono contains 4 styles and family package options.

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About the family


This is an original monospaced typeface which began as a part of a larger self-initiated project called Dymaxion after the coined portmanteau from R. Buckminter Fuller. It has a raw and engineered feeling. This type also has a strong nostalgic feeling drawing from historical documents surrounding the inventor and architect. Inspiration for the typeface comes from the dymaxion concept, "maximum gain of advantage from minimal energy input." I originally wanted to see if a single variable font could mechanically stretch, compress, etc while being as simple and efficient as possible, while still maintaining a unique character. The unique relationship between the upper and lowercase is the golden ratio. The small caps were drawn in between the uppercase and lowercase so that users can opt for more expected proportions. These can be accessed in design program dropdown menus as the “Small Caps as Capitals” stylistic set.

Designers: Seth Haller

Publisher: Typeseth Studio

Foundry: Typeseth Studio

Design Owner: Typeseth Studio

MyFonts debut: Aug 26, 2025

Dymaxion Core Mono

About Typeseth Studio

Typeseth studio is the type design practice of Seth Haller. With a few years in the game, he has been digitizing and exploring letters from art and design history that are often over-looked for their ubiquitous nature. Sometimes he explores experimental display fonts that feel more puzzle-like and pushes letterforms to the edge of legibility to get a sense not just for their typographic, but also graphic, possibilities. Based in colorful Colorado, the practice is inspired by the type community made up of folks in the front range design scene, as well as vernacular letterforms found in the “wild.” Seth became interested in letters from a very young age when he noticed the beauty of his grandmother's handwriting. Since then, he has been nose down, exploring and connecting distinctive letterforms to individuals and brands for communications that uniquely belong to the people that use them and the respective worlds they serve.

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