This is a listing of all glyphs contained in the
OpenType variants that may only be accessible via OpenType-aware
Each basic character (“A”) is followed by Unicode variants of the same
character (Á, Ä…), then OpenType variants (small caps, alternates,
ligatures…). This way you can see all the variations on a single
character in one place.
You can use this font in any of the following places. Read the full EULA text for details about each license. If
you have a usage in mind that's not covered by these licenses, contact us and we'll see what we can do.
Desktop: for use on a desktop workstation
For the most common uses, both personal and professional, for use in desktop applications with a font
Install the font on your Mac OS X or Windows system
Use the font within desktop applications such as Microsoft Word, Mac Pages, Adobe InDesign, Adobe
Create and print documents, as well as static images (.jpeg, .tiff, .png)
Desktop licenses are based on the number of users of the fonts. You can change the number of users by
clicking the quantity dropdown option on Buying Choices or Cart pages.
Please be sure to review the listing foundry's
Desktop license agreement
as some restrictions may apply—such as use in logos/trademarks, geographic restrictions (number of
locations), and products that will be sold.
Adding users later:
Desktop licenses are cumulative. If you require a Desktop license that covers additional users, simply
place a new order for the same Desktop package, for the number of additional users.
Eight designers present a set of icons that indicate the fun and fantastic world of signage. Each collaborator's solution represents a completely different interpretations on signage vernacular. Akira Kobayashi's "Subsumption", obscured by foliage, offers a perspective that signs on Japanese roads can be vague and beautiful. M.A.D.'s "People Signs" is a graphical association of people signage with a variety of well known situation symbols. Cynthia Jacquette's "Honest Arrows" are a series of arrows that attempts to honestly tell you how to get from point A to Point B in a big, confusing city. Mike Kohnke's "Road Kill" and the "Bump & Bruise" highlight how signs make for perfect targets when unloading a round of buckshot, and the licking a contruction barrier often endures. Joachim Muller-Lance's "Traffic Blends" places faces on things! Hey, didn't you give your first car a nickname? Cars are alive, you know - they guzzle and smoke all day. Jean-Benoît Lévy's "Inner-State" was inspired while reading the California driver handbook to pass a driver's test. Kevin Roberson's "Tail Lighting" reminds us to drive carefully and not to forget to signal. Diana Stoen's "Drivers Out There" shows us "driver personality archetypes", including the lil'ol lady that everyone tries to avoid.
California-based digital typefoundry headed by Michael Kohnke.
Typebox describes itself as follows:
"TYPEBOX: mind, heart and hand. Like in life itself, the process of 'thinking, feeling and doing' can also be applied to design culture - from concept and formgiving to the ongoing use of craft with the art of cartography, graphic design, and type design.
"TYPEBOX: useful and unique. Typebox provides creative services and markets typefaces to meet the expectations of today's design industry. Our experience in cartography, graphic design, and type creation is driven by visualizing finite information in various ways. It is through critical thinking and evaluation that Typebox finds the solution that works best for a need.
"TYPEBOX: promoting clarity and craft. Typebox understands that technique and style of presentation has its own peculiarities and integrity, and this must be made clear when developing a particular visual display. We do this by finding appropriate suppositions that will fuel ideas. This will help in maintaining an expansive thought process, and engage experienced and creative people in order to achieve effective, solid and lively work that amplifies a client's vision and values.
"Contact Us: Typebox collaborators come from a range of backgrounds - print and screen design, analog and digital methods of creation, and other alphabet cultures. Over the past two decades' progress, we've become bridges of experience spanning technologies, media, and cultural aspects of cartography, graphic design, and type."