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Universo

Universo

by PeGGO Fonts
Individual Styles from $12.00
Complete family of 6 fonts: $48.00
Universo Font Family was designed by Pedro Gonzalez Jorquera, Mauricio Astete Brito, PeGGO Fonts and published by PeGGO Fonts. Universo contains 6 styles and family package options.

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About Universo Font Family


Universo and Universo Stencil by Mauro Andrés and Peggo Fonts is a display font family for “Caos Sagrado” specially designed for informative fanzine and magazines. Its name “Universo” comes from the quote “we have to talk about the horrible things of Universe” with the main idea of supporting and help to expose social problems.


Inspired on Retro-Futuristic fonts and poster design and old scientific publications that is becoming a new design trend nowadays, and strongly influenced by the Italian type designer Aldo Novarese’s work, developed in the 50’s.


"Universo CS" and "Universo CS Stencil" were produced between mid-September and October 2018 by Mauro Andrés under the creative direction of Victoria Rivas and those versions were publicly showed at “Impresionante” (a massive independent printing expo in Chile) with a printed specimen. That phase of the project was updated and completed in March 2019 and was lastly finished between November 2019 and April 7, 2020, developing it in six styles, under the co-production of Peggo Fonts.


"Universo" and "Universo Stencil" are both suitable for headlines and short text lines, music and concert posters, books and magazines covers, branding, logotype and graphic design. All stylistic alternates are accessible via OpenType features or character map.

Designers: Pedro Gonzalez Jorquera, Mauricio Astete Brito, PeGGO Fonts

Publisher: PeGGO Fonts

Foundry: PeGGO Fonts

Design Owner: PeGGO Fonts

MyFonts debut: May 20, 2020

Universo

About PeGGO Fonts

“Peggo Fonts” is a Chilean based foundry, founded in 2002 by Pedro González, with more than 20 years doing fonts for you and more than 14 years on the market, on early stages Peggo Fonts started as a calligraphy design studio, so, we still love doing (and teaching) “real calligraphy” that we take as inspiration, we still love doing lettering and do technical type drawings as detailed and deep reference for our type design, always through a critical and fresh scope, analyzing and solving our constant global needs for design.We put all our energy on fine tunning a balance between function and aesthetics for the sake of better design and a more pleasant reading experience. We work on do optical adjustments, on programing useful opentype features and finding innovative design concepts.

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