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Abos und Preise

Kheops

von Tipo Pèpel
Einzelschnitte ab $22.00 USD
Komplette Familie mit 14 Fonts: $118.00 USD
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Die Schriftfamilie Kheops wurde von Josep Patau Bellart entworfen und von Tipo Pèpel veröffentlicht. Kheops enthält 14 Stile und Familienpaketoptionen. Mehr über diese Familie

Kheops Complete Family

 14 Fonts

Bestes Angebot!

pro Font:

$8.42 USD

Paket mit 14 Fonts:

$118.00 USD

Kaufoptionen
Siehe 4 mehr Weniger sehen

Basic Family

 4 Fonts

pro Font:

$14.00 USD

Paket mit 4 Fonts:

$56.00 USD

Kaufoptionen
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Über die Familie

Kheops is a slab-serif style typeface, with a contemporary scent and designed for long texts, without giving up on big headlines, it is accompanied by an authentic cursive with a dynamic rhythm and a skeleton with humanist reminiscences, it also includes a set of ornaments based on in simple geometric shapes, and an extensive range of OpenType functionalities to meet the needs of the most demanding designer, an all-rounder that cannot be missing from your typographic palette.


Designer: Josep Patau Bellart

Foundry: Tipo Pèpel

MyFonts Debüt: Nov 11, 2020

Kheops

Über Tipo Pèpel

Located in a small town, Les Borges Blanques, Spain, Tipo Pèpel is a digital type foundry run by Josep Patau. The self-taught designer began producing experimental typefaces in 1996 and started selling them through MyFonts in 2011. His debut font, Anduaga, was a revival from Joseph de Anduaga y Garimberti, the XVII´s famous spanish calligrapher. Since then, his library had expanded to include nearly two dozen font families, each of which is unique and reflects the small country town he comes from with a familiar rural feel. Some of Josep’s best selling typefaces, including Pobla, Bridone, and Cinta, really demonstrate the impact his home has on his designs, while Boxed, a semi-modular geometric font, is a step outside of this theme. “All of my projects excite me and I put my best into each of them, doing everything with my own two hands,” Josep says. “I treat them all like my children.” With a focus on the details and creating high quality drawings, each of his fonts offers an extended character map that is fully capable with OpenType features. He also diligently insures that each of his typefaces is legible in all sizes. “I think that this is one of my goals because I always begin my designs by thinking about the final use if the font,” he says. “I worry about this a lot, so I do thousands of tests before launching the final font to ensure high quality standards and full satisfaction for final users.”

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