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Faux Pas JNL

por Jeff Levine
Estilos individuales desde $29.00 USD
Familia completa de 2 fuentes: $55.10 USD
La familia tipográfica Faux Pas JNL fue diseñada por Jeff Levine y publicada por Jeff Levine. Faux Pas JNL contiene 2 estilos y opciones de paquete familiar.

Más información sobre esta familia

Faux Pas JNL Complete Family

2 fuentes

¡Mejor Precio!

Por Estilo:

$27.55 USD

Paquete de 2 estilos:

$55.10 USD

Sobre la familia


The lettering found on an 1878 Salt Lake City advertisement for the Forepaugh’s Circus inspired Faux Pas JNL, which is a bit of a pun on the circus’ name and also a commentary on how this unusual lettering style seems to break all of the rules on stroke width and balance. According to Wikipedia: “Adam John Forepaugh (February 28, 1831 - January 22, 1890) was an American entrepreneur, businessman, and circus owner. Forepaugh owned and operated a circus from 1865 through 1890 under various names including Forepaugh's Circus, The Great Forepaugh Show, The Adam Forepaugh Circus, and Forepaugh & The Wild West. In 1889, Forepaugh sold his circus acts to James Anthony Bailey and James E. Cooper and he sold his railroad cars to the Ringling Brothers. The Ringlings used the equipment to transform their circus from a small animal-powered production to a huge rail-powered behemoth, which later purchased the Barnum & Bailey Circus. Thus, in liquidating his circus assets, he indirectly contributed to the demise of his arch-rival.” Faux Pas JNL is available in both regular and oblique versions.

Diseñadores: Jeff Levine

Editorial: Jeff Levine

Fundición: Jeff Levine

Propietario del diseño: Jeff Levine

MyFonts debut: Jun 3, 2020

Faux Pas JNL

Acerca de Jeff Levine

Jeff Levine has been in love with lettering since the third grade, when a schoolmate brought a lettering stencil into class. He has worked in both the graphics and music industries, and began his work with digital type via his own site, which hosted over one hundred free dingbat fonts until its retirement in 2009. Although these fonts were experimental at best, Jeff received "thank you" letters from points all over the world for making his designs available. Encouraged by these responses, Jeff decided to set his sights on creating interesting and commercially viable type fonts.

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