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Narziss Pro Cyrillic

Narziss Pro Cyrillic

by Hubert Jocham Type
Individual Styles from $59.90
Narziss Pro Cyrillic Font Family was designed by Hubert Jocham and published by Hubert Jocham Type. Narziss Pro Cyrillic contains 21 styles.

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About Narziss Pro Cyrillic Font Family


Since Mommie, I gradually got more into swirly ornaments. The massive contrast in the neoclassic style is perfect for thin swirly extentions to the characters. Even in an upright typeface. Narziss is very elegant in big headlinesizes. Use it only very big. What was the inspiration for designing the font? spencerian calligraphies and neoclassic contrast What are its main characteristics and features? Narziss is very elegant in very big sizes. The Regular version is without any ornament. The Drops version has some character like the e and the k that are more unique. The Swirls version has got carefully added swirls, that come out of the basic stroke and flow into other characters. Usage recommendations: Big headlines in magazines, brochures and invitations

Designers: Hubert Jocham

Publisher: Hubert Jocham Type

Foundry: Hubert Jocham Type

Design Owner: Hubert Jocham Type

MyFonts debut: Nov 21, 2012

Narziss Pro Cyrillic

About Hubert Jocham Type

Hubert Jocham Type is the personal foundry of Hubert Jocham, started in 2007. In the early 1980s, at the start of his career, Jocham worked in a print shop with classic lead setting. He studied graphic design in Augsburg (Germany) and Preston (England). The degree project dealt with the history of the italic type of the renaissance and the relationship between roman and italic. In 1998 he moved to London to work for Henrion, Ludlow and Schmidt in corporate branding. He designed brandmarks and logotypes for international companies and designed corporate manuals. He got to know art directors of lifestyle magazines such as Frank and Arena, where he worked as a type consultant and type designer. Today Hubert Jocham is a freelance designer. He develops brandmarks and logotypes for leading brand agencies like Interbrand, Landor, Enterprise and Futurbrand. He designs text and headline systems for international magazines like GQ London, Vogue Moscow, L'Officiel Paris, Details New York and German publishers like Milchstraße and Gruner & Jahr. He is responsible for the corporate type of Bally in Switzerland, the Kunsthaus Graz and Agfa Photo.

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