Skip to content
Home / Fonts / Storm Type Foundry / Carot Slab
Carot Slab

Carot Slab

by Storm Type Foundry
Individual Styles from $39.00
Complete family of 16 fonts: $299.00
Carot Slab Font Family was designed by František Štorm and published by Storm Type Foundry. Carot Slab contains 16 styles and family package options.

More about this family
FREE 30-DAY TRIAL of Monotype Fonts to get over 150,000 fonts from more than 1,400 type foundries. Start free trial
Start free trial

About Carot Slab Font Family


Words in a blurry world want to be more firmly anchored in the line - this is the task of the Slab-serif, characterized by solid heels. They can be used in extreme sizes – under 6 points – as well as on huge tarpaulins covering trucks, boats and house facades. Carot serves its robust clarity. The eye takes a while to become accustomed to various character simplifications, but then comes a refreshing reading perception, familiar texts get actual sound.

The whole Carot system of 64 members offers a modern alternative for all types of design work.

Designers: František Štorm

Publisher: Storm Type Foundry

Foundry: Storm Type Foundry

Design Owner: Storm Type Foundry

MyFonts debut: Mar 25, 2020

Carot Slab

About Storm Type Foundry

“I bought my first computer in 1993 and realized that there were no good fonts around," František Štorm says, “so I had to make my own.” He founded the Storm Type Foundry in Prague that same year in the hopes that he would be able to restore the classical values of typography that often times don’t get translated into the digital world. “I started the business when I realized that the fonts I made for myself could be useful for others,” he says. When he began digitizing original Czech typefaces, František teamed up with Otakar Karlas, Jan Solpera and Josef Tyfa, experienced Czech designers.“We are convinced that such teamwork is a guarantee of the permanence of the artistic value of our typefaces.” He made his MyFonts debut with Regent and has released nearly 90 typefaces since, resulting in a collective library that has evolved with the technologies of the last two decades. He started out by drawing alphabets which could be used in book printing, and then proceeded to alphabets for film and photosetting. Now that he is creating typefaces for screens, he focuses on retaining the human touches that have always made his typefaces personable.

Read more

Read less