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Andulka Sans

Andulka Sans™

by Storm Type Foundry
Individual Styles from $55.00
Complete family of 11 fonts: $310.00
Andulka Sans Font Family was designed by František Štorm and published by Storm Type Foundry. Andulka Sans contains 11 styles and family package options.

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About Andulka Sans Font Family

Andulka was drawn in 2004 for the purposes of publication and visual identity. Her peaceful expression also excels in poetry and fiction. It reads so smoothly that you won’t even know that its width proportion is actually narrowed, so it’s very suitable for magazines, newspapers and thickest volumes of scientific literature. Her serif counterpart is Andulka. The entire Andulka system can easily build a typography of the entire publishing house.

Designers: František Štorm

Publisher: Storm Type Foundry

Foundry: Storm Type Foundry

Design Owner: Storm Type Foundry

MyFonts debut: Jul 12, 2011

Andulka Sans™ is a trademark of Storm Type Foundry.

About Storm Type Foundry

“I bought my first computer in 1993 and realized that there were no good fonts around," František Štorm says, “so I had to make my own.” He founded the Storm Type Foundry in Prague that same year in the hopes that he would be able to restore the classical values of typography that often times don’t get translated into the digital world. “I started the business when I realized that the fonts I made for myself could be useful for others,” he says. When he began digitizing original Czech typefaces, František teamed up with Otakar Karlas, Jan Solpera and Josef Tyfa, experienced Czech designers.“We are convinced that such teamwork is a guarantee of the permanence of the artistic value of our typefaces.” He made his MyFonts debut with Regent and has released nearly 90 typefaces since, resulting in a collective library that has evolved with the technologies of the last two decades. He started out by drawing alphabets which could be used in book printing, and then proceeded to alphabets for film and photosetting. Now that he is creating typefaces for screens, he focuses on retaining the human touches that have always made his typefaces personable.

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