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by Kastelov
Individual Styles from $55.00
Complete family of 20 fonts: $260.00
Axiforma Font Family was designed by Galin Kastelov and published by Kastelov. Axiforma contains 20 styles and family package options.

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About Axiforma Font Family

Axiforma was designed with the single idea of creating a font that starts with the letter A, because let's face it, this is the best letter. For those of you who didn't see it coming, Axiforma is a /drum roll/ geometric sans in 20 weights. If you are thinking "Oh boy, another geometric sans", you clearly know your stuff. Yet, Axiforma is different in at least three crucial ways: 1) It's made by me 2) It's not free 3) It's polite and humble Additionally, Axiforma is packed with Opentype such as oldstyle numbers, fractions, case sensitive alternates, localized forms, stylistic sets, cyrillic alphabets (Bulgarian & Russian) and many more. Basically it's quite extensive and kinda great. Upon using Axiforma, clients will start to behave differently around you and may even start paying you. Your spouse will start working out again just to gain your attention and your kid will become instantly popular at school. After all you are using Axiforma and rumors do spread quickly. That's what we are talking about - raw font power. With Axiforma regular typed text is suddently transformed into first class design. That includes branding, posters, headlines, display, presentation materials, websites, logotypes, etc. The world will now be your playground. To sum it up, Axiforma is badass, thus you should have it and use it everywhere.

Designers: Galin Kastelov

Publisher: Kastelov

Foundry: Kastelov

Design Owner: Kastelov

MyFonts debut: Feb 14, 2017


About Kastelov

My background is in corporate identity and branding. One approach that I try to follow in the work that I do is my strive for subtlety and simplicity. The great Dieter Rams summed this up much better than I can in his phrase “Less, but better”. The catch of course is that this is easier said than done, and it requires you to be more attentive and strategic about what is essential and what is not. The other concept is that of the 'golden mean', first coined by Aristotle to judge and evaluate character in the people around us, but also applicable to producing any work of consistent value. In people, qualities such as courage, liberality, friendliness, wittiness and modesty are incidentally all attributes that a good typeface should posses. I find this relation both daunting and intriguing, but also a good base for exploring and developing typefaces that are timeless and universally appealing.

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