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La Sonnambula

by deFharo
Individual Styles from $18.00 USD
The La Sonnambula Font Family was designed by Fernando Haro and published by deFharo. La Sonnambula contains 1 styles. More about this family

About the family


The Sonnambula is a handwritten and expanded font with terminal ornaments, designed to write very elegant titles or calligraphic texts. The name of this typography is dedicated to the opera La Sonnambula by Vincenzo Bellini. - Use the following characters for terminal ornaments: () [] - 380 glyphs. Latin Extended-A • OTF & TTF - OpenType Functions: Discretionary Ligatures, Kerning, All Alternates, Additional languages, Standard Ligatures, Slashed Zero, Capital Spacing, Ornaments, Ordinals, Mathematical Greek, Fractions, Localized Forms. - Bitcoin symbol: b# (ligatures)

Designers: Fernando Haro

Foundry: deFharo

MyFonts debut: Dec 1, 2017

La Sonnambula

About deFharo

deFharo is the independent type foundry of Spanish graphic and type designer Fernando Haro. With more than 30 years of experience in graphic and advertising design and over a decade devoted to typeface design, Fernando Haro has developed an eclectic body of work that ranges from editorial and corporate typefaces to expressive display, geometric, technological, retro and experimental designs. His approach combines visual character with typographic functionality. Every typeface begins with drawing, proportion and a clear visual idea, and evolves through meticulous work on spacing, metrics, kerning, optical corrections and OpenType features. Rather than following a single recognizable style, deFharo explores different typographic territories according to the personality and purpose of each project. Some families are designed for long-form reading and editorial systems; others are built for branding, headlines, packaging, signage or highly expressive graphic compositions. A strong interest in vector drawing, typographic systems and functional design runs throughout the collection. Alternative characters, small caps, Petite Caps, fractions, numerals, ligatures, symbols and extended language support are frequently developed as integral parts of the typeface rather than as afterthoughts. The result is a growing collection of typefaces designed to be both distinctive and useful — fonts with personality, but also with the technical precision required for professional graphic and editorial work. deFharo typefaces are designed by Fernando Haro and published independently from Spain.

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