Parisine® Plus Std
by Typofonderie
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About the family
A playfull fancy sanserif typeface in 16 fonts
Parisine Plus was designed in 1999 as an informal version of Parisine. A reaction to the subjective functionalism of Parisine. In fact, when Parisine try to express neutrality (a typeface is never neutral), Parisine Plus has fun with contrasts and not-so-obvious additions for a sans family. Parisine Plus is a precursor in the way it offers many ligatures and strange forms we generally find more in serif typefaces families that express historical connotations.
The various Parisine Plus typeface subfamilies
Parisine Plus is organised in various weight subsets, from the original family Parisine Plus (4 compatible fonts), Parisine Plus Gris featuring lighter versions of the usual Regular and Bold (4 compatible fonts), Parisine Plus Claire featuring extra light weights (4 compatible fonts), to Parisine Plus Sombre with his darker and extremly black weights as we can seen in Frutiger Black or Antique Olive Nord (4 compatible fonts).
Parisine helps Parisians catch the right bus
Parisine Plus and its fancy type effects
Observateur du design star of 2007
About Typofonderie
We are an independent French type foundry since 1994, we design, manufacture and distribute exclusive typefaces. Meticulously built years after years, our library includes type families suited for every aspect of typographic usage. We are passionate about our work. Each of our published typefaces is the result of years of teamwork at Typofonderie. Typofonderie is digital type foundry who has become over the years, a real institution in France and abroad. Our customers recognise the timelessness of our typefaces, which help them give meaning and strength to their projects, whether they are companies, brands, publications or institutions. Our typefaces can be found in the métro in Paris, as well as in Osaka, at the Opéra de Paris, La Tour d’Argent, Vuitton, Séphora, Galeries Lafayette, Yves Saint Laurent Beauty and are used by the French Olympic team. You will also encounter them in museums, in the Who’s Who, Wired, at Dell, at the Boston Consulting Group, on the jerseys of the French Olympic team and in the Alps thanks to SwissSki. Hillary Clinton and Emmanuel Macron used our typefaces during their presidential campaigns. The palais de l’Élysée uses three of our typefaces families for the identity and communication of the French president.
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