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PG Gothique Variable

PG Gothique Variable

by Paulo Goode
Individual Styles from $300.00
PG Gothique Variable Font Family was designed by Paulo Goode and published by Paulo Goode. PG Gothique Variable contains 1 styles.

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About PG Gothique Variable Font Family


IMPORTANT: This is the VARIABLE VERSION of PG Gothique

This is my addition to a long line of traditional gothic typefaces. As you can probably tell, PG Gothique Variable is inspired by classics such as Trade Gothic, News Gothic, Franklin Gothic, Alternate Gothic, and Gothic Gothic. Well, maybe not the last one...

But Paulo, we have all those already, why would we want to add PG Gothique Variable to our collection? This typeface has many subtle design nuances that differentiates itself from its historical influences. Also, this is possibly the most comprehensive Latin gothic font family released to date. It has 99 default styles that cover pretty much every width and weight you could ever need, while this variable version unlocks options to match your exact style preference – including the angle of italic.

PG Gothique Variable is designed to handle a multitude of applications, from branding projects, to titles, body text, user interfaces, and film poster credits. This typeface has a style that will suit the purpose.

There are 99 default instances in this family, ranging from Thin to Ultra weights across six widths in both roman and italic. Activate Stylistic Set 1 and you will get the alternate slab-serif-style capital “I” that offers improved legibility when placed adjacent to a lowercase “l”. PG Gothique Variable has an extensive character set that covers every Latin European language.

See full details and hi-res examples at https://paulogoode.com/pg-gothique

Designers: Paulo Goode

Publisher: Paulo Goode

Foundry: Paulo Goode

Design Owner: Paulo Goode

MyFonts debut: Oct 17, 2023

PG Gothique Variable

About Paulo Goode

As a child I was fascinated by the multitude of letterforms that surround us, I would spend hours drawing words (and cars) in my sketchbooks. I don’t know what happened to those sketches, but I certainly never made it as an automobile designer! Maybe there’s a chance my fonts will prove more successful? As I grew up, I developed my artistic skills and became a technical illustrator and moved into graphic design with the advent of the Macintosh computer. At the age of 45 I rekindled my interest in typeface design and am thoroughly enjoying the process of font creation and producing some interesting typefaces of distinction. I'm still fascinated by the multitude of letterforms that surround us — and am very happy to be contributing my own.The Premium foundry page can be viewed Here.

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