About Rufina STD Font Family
Rufina was as tall and thin as a reed. Elegant but with that distance that well-defined forms seem to impose. Her voice, however, was sweeter, closer, and when she spoke her name, like a slow whisper, one felt like what she had come to say could be read in her image. Rufina's story can only be told through a detour because her origin does not coincide with her birth. Rufina was born on a Sunday afternoon while her father was drawing black letters on a white background, and her mother was trying to join those same letters to form words that could tell a story. But her origin goes much further back, and that is why she is pierced by a story that precedes her, even though it is not her own. Maybe her origin can be traced back to that autumn night in which that tall man with that distant demeanor ran into that woman with that sweet smile and elegant aspect. He looked at her in such a way that he was trapped by that gaze, even though they found no words to say to each other, and they stayed in silence. Somehow, some words leaked into that gaze because since that moment they were never apart again. Later, after they started talking, projects started coming up and then coexistence and arguments, routines and mismatches. But in that chaos of crossed words in their life together, something was stable through the silence of the gazes. In those gazes, the silent words sustained that indescribable love that they didn't even try to understand. And in one of those silences, Rufina appeared, when that man told that woman that he needed a text to try out his new font, and she saw him look at her with that same fascination of the first time, and she started to write something with those forms that he was giving her as a gift. Rufina was as tall and thin as a reed, wrote her mother when Rufina was born.
Founded in 2009 by Vicente Lamónaca and Martin Sommaruga, Tipotype is the first foundry to ever call Uruguay home. “Our common goal,” they say, “is to distribute contemporary typefaces while creating a platform that allows type designers to easily commercialize their work.” The foundry made its MyFonts debut with Economica and Quiroga Serif: the first Uruguayan fonts ever sold. Since then, the group’s bestselling typefaces have included a geometric sans with a humanistic softness, Mariné, and Libertad. Hoping to increase the presence of type designers in their home country, they say, “As we are the only type foundry in our country, we are trying to get new designers to start commercializing their typefaces with TipoType through MyFonts.” You can find more information about TipoType and its resident designers, in the July 2017 issue of Creative Characters.