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Acta
Acta works brilliantly in display, headline and text styles—with individual optical sizes for each specialty. The family’s broad range of weights provides options for variation in tone across a publication’s sections and in response to changes in season or circumstance.
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Neue Swift
Gerard Unger for Linotype
Gerard Unger’s Swift® typeface aims to strike a balance between design and functionality rather than to invoke a certain feeling. Its high, tapered joints and large counterforms hold up to news press standards and reinforce its linear nature.
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Pona
Jordi Embodas for Tipografies
Pona beautifully sets text, adding depth and lyrical movement, all with an economical fit. Its display weights achieve a sympathetic voice with finer hairlines and adjustments in axis and gesture. Both sets come in a range of weights for matching the right detail and density to the medium.
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Pratt Nova
Nick Shinn for Shinntype
Pratt Nova tries something new with its weight progression: moving in two directions at once. In the Text and display-focused Fine variants, the stroke contrast increases with weight, while at in between sizes, the light contrasted serif progresses toward a punchy slab headline.
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Fonts for Editorial
Take an in-depth look: learn about the specific roles of fonts in editorial design, and discover which type families are best for headline display, body copy and everything in-between. Plus our best advice to editorial designers.
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Show me more
Still weighing your options? Continue on to Ivo Gabrowitsch’s fontlist full of families made for editorial flexibility: Fonts for Editorial Design.
Trademark attribution notice
FontShop is a trademark of Monotype GmbH and may be registered in certain jurisdictions. Swift is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. All other trademarks are property of their respective owners.